Jean Pierre Schoss works with the human form and images from nature. His work is created by recycling steel from oil tanks, farm implements or any found steel that is thick enough to be used. He cuts apart, heats and recreates the steel in order to orchestrate his ideas. Some pieces are forged and pounded into new forms. He also uses the scraps of steel that have fallen away from other works to build 3-dimensional sculpture. The result is a multi-colored form with images hiding within the form. It becomes the life of the old steel within the life of the first pieces within the life of the new piece.
Jean Pierre’s sense of perspective, originality and technical execution result in a strong and unique expression. The work is primitive, balanced and often very humorous. The rugged, dented and painted oil tanks provide a character and freedom that is refreshing.
The newest direction of expression is sculptural furniture using concrete, glass and steel. The feel is rugged elegance. The pieces are perfectly functional.
I use recycled materials for a number of reasons. First, it is our responsibility to contribute to this world in as many ways as possible. Garbage is a great place to start.
Oil tanks are costly to cut up and recycle so the scrap yards don’t want them. I began using oil tanks, water tanks and propane tanks to save money because the steel was so expensive. I soon realized what I was doing. The recycling had become part of my life.
I began to look for more items that could be recycled into my work. If it is thick enough to last for years and years then I am interested. People bring me all sorts of things. I drag things out of the ditches some times and then the earth feels better! I drain the tanks of the sludge and oil and take it to the recycling depot. There is quite a process to getting the steel ready for the sculpture.
The material has a lot of character and always tells a life story. It has a lot more to say than a big, expensive sheet of new grey steel. Some tanks have many layers and colors of paint on them from being painted over the years to match houses and cottages.
Some of my work involves old tools, steps from antique carriages and 70 year old manure spreaders.
I never see just a steel object. I see the new life waiting to come out of it.”![]()